Achatz again

Gael Greene says some things I suspect I'd agree with about Grant Achatz's food:

Chestnut-baked potato, quince and smoke come next, just before Keller’s luscious foie gras galette. I want to like Grant Achatz’s food. Truly I do. I don’t want to seem uptight or an incurable old fogey. But perhaps I am. Making something edible out of unlikely components or something inedible out of a classic – like Achatz’s lamb with fennel and Pernod alongside a hot rock covered with coffee grounds, dried citrus peel and spices, three of them in three bowls on the table – “coffee-scented air” – is no guarantee of pleasure. A giggle isn’t enough. I want to be surprised by adventure in texture and flavor. I want to be bowled over by an explosion of flavor, transported by scents and savor beyond imagining. When Keller says “oysters and pearls” and sends out pearls of caviar, I smile and bask in that delicious notion. And I’d embrace the notion of coffee air with a smile if only the lamb tasted wonderful.

On the other hand, a super blog friend who has actually tasted Achatz's food said the below to me a while back. As I keep saying, I will have to taste this damned food in the end.

I share your general attitude about the chemicalization of food in a time when people are finally learning to do the opposite. But my one 12-course meal at Alinea really was incredible, with lots of combinations of flavors and textures that I had never before encountered, or even contemplated. I'm not saying that I'd want to eat food like that every day, or even every year, but at the same time some of the techniques were sufficiently interesting and inspiring that I hope and expect they will trickle down to the home cook (like the creative uses of freezing cold). The analogy that struck me was to high fashion: models strut down the runway half-naked in weird concoctions of feather and silk-- many of these things are not attractive, and certainly unthinkable for day-to-day wear, but some of the artistic developments (a line, a cut, a color) find themselves in very stylish pieces available in clothing boutiques 6 months later, and in the Gap 3 years after that.